
Persian Carpets
For 2,500 years the loom has been Iran's parallel literature — knotted poems of garden, paradise and pattern. From the Pazyryk carpet (5th c. BCE) to the Ardabil masterpiece, this is the world's most enduring textile tradition.
A 2,500-year tradition in figures
The oldest surviving knotted-pile carpet — the Pazyryk, recovered from a Scythian tomb in the Altai mountains — was woven in the 5th century BCE in the Achaemenid orbit. Already it shows the central medallion and animal-procession border that remained canonical for two and a half millennia.
What is a Persian carpet?
A Persian carpet is a hand-knotted pile rug whose density is measured in knots per square inch (KPSI). Two knot types dominate. The asymmetric Senneh (Persian) knot allows higher detail and is used in fine city workshops; the symmetric Ghiordes (Turkish) knot is favoured by tribal weavers for its durability. Warps are usually cotton, weft cotton or wool, pile wool or silk. A fine Qom silk on silk can exceed 800 KPSI.
| School | Typical KPSI | Materials | Signature |
|---|---|---|---|
| Tabriz | 200–500 | Wool on cotton | Mahi (fish) field, Herati border |
| Kashan | 200–400 | Wool / silk on cotton | Central medallion, deep madder red |
| Isfahan | 300–700 | Kork wool & silk on silk | Shah Abbasi palmettes |
| Nain | 300–600 | Wool & silk on cotton | Ivory ground, blue & beige |
| Qom | 400–1,000+ | Silk on silk | Garden & tree-of-life designs |
| Kerman | 120–300 | Wool on cotton | Pictorial and vase carpets |
| Bijar | 120–200 | Wool, very compact | 'Iron rug' — extreme durability |
| Heriz | 60–120 | Wool, geometric | Bold cruciform medallion |
| Gabbeh (Qashqai) | 30–80 | Hand-spun wool, tribal | Minimal, naive figures |
Motif glossary
Boteh (بته)
Almond / cypress-bud motif — the origin of the European paisley. Symbol of life and eternity.
Herati
Diamond enclosing a rosette flanked by four curved 'fish' leaves. Border filler par excellence.
Gol Farang
'Frankish flower' — naturalistic rose cluster introduced from European textiles in the 18th c.
Shah Abbasi
Compound palmette named for Shah Abbas; the signature of Isfahan and Nain.
Tree of Life
Vertical cypress or rose bush — pre-Islamic Mesopotamian symbol of immortality.
Mihrab
Pointed arch of the prayer niche; defines a sajjadeh (prayer rug).
Hunting Scene
Royal Safavid theme — mounted archers and quarry in a paradise garden.
Toranj
Central medallion echoing a dome plan, often quartered in the corners as lachak.
Mina Khani
All-over lattice of four-petalled flowers — favoured by Veramin and Kurdish weavers.
The Ardabil Carpet

One of a pair commissioned for the shrine of Sheikh Safi al-Din at Ardabil, the carpet is signed by the slave Maqsud Kashani, dated 946 AH (1539–40 CE), and carries an inscription from Hafez:
"I have no refuge in the world other than thy threshold, my head has no resting-place but this doorway."
William Morris campaigned for the V&A to buy it in 1893; he called it "of singular perfection… logically and consistently beautiful." The companion carpet, badly worn, was sold and survives in the Los Angeles County Museum of Art.
How to read a Persian carpet
Persian carpet FAQ
References
- ↗ V&A Museum — The Ardabil Carpet
- ↗ Encyclopædia Iranica — Carpets
- ↗ Hermitage Museum — Pazyryk Carpet
- ↗ Met Museum — Persian Carpets
All imagery is sourced from Wikimedia Commons, public-domain museum collections (British Museum, Louvre, Metropolitan Museum of Art, National Museum of Iran), or UNESCO World Heritage records. No AI-generated images are used. Scholarly text is synthesized from Encyclopædia Iranica, the Cambridge History of Iran, and peer-reviewed publications.